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Style Quarterly Magazine

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Sneak Peek

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stylequarterly.com t f

T

he essence of Jazz music

is the ethereal atmosphere

of the dimensional har-

mony created by kaleido-

scope of chromatic tones.

It is the pulsating back

beat of syncopating Af-

rican rhythms through the

rumble of the drums, or

soft sound of the brush to

the snare.

The music is an expres-

sion of melody from the depth of the soul

conveyed as a gospel in many unique

ways. These elements combined with the

free impressionistic ambiance of instru-

mental tones in orchestration as a founda-

tional juxtaposition of 7th, 9th, 13th chord-

al harmony makes this style truly unique.

The essence of Jazz music is music that is

upbeat, full of pizzazz, yet laid back with

style. One would never guess that this free

style of music has a foundation that began

with Baroque elements found in Classical

music.

Classical music comes from the basic

structure of homophony when two or more

musical lines are played vertically in the

same direction as sacred music. In fact,

Jazz music is created with homophony in

terms of the movement of chords to sup-

port the melodic improvisation. However,

when it comes to playing intervals and

chordal harmonies, Jazz is free from the

restriction of classical form. For example,

if a song is written in the key of C or a

minor there are no sharps or flats written

on the staffs. Many times in Jazz music

Accidentals are put in the music to cause

a tonal effect found in chromatic tones.

Tonal effects can occur when one or more

notes are altered by raising or lowering a

pitch by one half step. Sharps are symbols

in the shape of a number sign or tic tac toe

board (#). Flats are symbols in the shape

of a lower case B(b), yet shaped differently

like half a heart.

In some Jazz pieces, both the sharp and

flat can occur simultaneously in a chord.

The result of such musical experimenta-

tion can be Dissonant chords unresolved

for the purpose of producing a certain

sound. Depending on what tones are used

the sound is either full of color, or full of

tension. On the other hand, Consonance is

a stable balance of harmonic tones with-

out tension. One example of the essence of

Jazz Music is the song

“Route 66”

with

cluster of chords with dissonant tones that

move from major to minor to diminished

to create tonal color.

The Tones in Jazz music is always about

the speech rhythm and the chordal harmo-

ny full of color as influenced by music in

the impressionism period. The essence of

Jazz music serves as a personal interpre-

tation of the picture the performer wants

us to thinks about. The icing to the cake

are the vocalists and instrumentalists who

performs how they feel from the soul as

the music beckons them to reply to it’s

statement. As the soloist plays or sings, the

beauty of strong kaleidoscope tones in the

harmony encourages one to soar especially

in ballads.

All of this can occur when the harmony

plays in the right position above the cor-

rect bass tones found in all Jazz master-

pieces. The true essence of Jazz music is

present in its ability to shape the music

through tones, the syncopation of speech

rhythm, the chromatic harmony, improvi-

sational solos, and constant motion of the

bass. It is the free structure made from a

balanced structure, and a music expressed

from the soul.

THE ESSENCE OF JAZZ MUSIC

Understanding Jazz

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